Zhaoming wu biography of rory gilmore wife

Zhaoming Wu, Remembering the Light, oil, 24 x This story was featured in the January issue of Southwest Art magazine. Get the Southwest Art January print issue or digital download now—then subscribe to Southwest Art and never miss another story.

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A woman sits, her back to the viewer, gazing off into the darkened corner of the canvas. Pooling around her, like ripples on the water, are the folds of the cream-colored fabric in which she is draped. In his paintings, the award-winning California artist says, he strives to take the human form to a higher level, often using the subject as a vehicle to express not only mood but drama and movement.

For him the subject is a mere springboard for arranging, adjusting, and creating a mood in a work that blends classical and contemporary styles. Wu notes that on occasion gallery representatives have shown frustration with his choice of combining seemingly contradictory styles.

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But for Wu, if his paintings are perceived this way, his artistic mission is accomplished. He prefers to stay true to his painterly instincts. The house is perched on a hill overlooking the San Francisco Bay, with a backyard that spills into a nature preserve of oak trees, grasslands, and streams. Today, Wu is a long way from his native China and light years away from his early years growing up in Guangzhou City under the autocratic rule of Mao Zedong.

In , when he was 8 years old, the Chinese Cultural Revolution was underway, a time of violence and conflict in the country. Cultural artifacts and relics were destroyed. Schools were closed for two years. The young Zhaoming was forced to stay home while his father, an engineer, and his mother, a physician, went to work. Out of boredom he began reading storybooks.