Grease roger ebert biography movie reviews roger ebert

With the set-up comes moments of contrivance which can be spotted from the next block.

Instead, this movie just recycles “Grease,” without the stars, without the energy, without the freshness and without the grease.

But the film, co-directed and co-written by Dane Clark and Linsey Stewart, has an eccentric spirit and an individualistic streak underlined by the very human performances and a nuanced script filled with unexpected moments. Shakespeare used contrived set-ups, too. She is still angry and resentful. Her ex-husband has moved on, marrying the mistress and apparently flourishing.

Susan is perimenopausal, carrying around a portable fan for the hot flashes. Goofy, friendly waters often run deep. Suze reluctantly goes to visit Gage in the hospital. The development of this intergenerational relationship unfolds in unexpected ways. It is not May-December like the Todd Haynes film. She brings him to work with her, and he says hello to everyone, stunning the conservative workforce with his gregarious positivity.

The movie's worth seeing for nostalgia, or for a look at vintage Travolta, but its underlying problem is that it sees the material as silly camp: It neuters it.

Gage is a natural in connecting with other people. Nobody has looked out for him. Everyone underestimates him. His dad is a jerk. Brooke takes him for granted. This kid needs guidance and support.